This book is about the lives of 11-year-old children growing up in a Midlands city in the late '60s and early '70s. Based on interviews with their parents, it describes family life at the time, as well as the experiences, hopes and concerns of the children as they themselves become adolescents. The book reflects upon the changes that occur for children in the transitional period between childhood and adolescence. It looks at the friendship patterns of eleven-year-olds, their special interests and activities and how they spend their leisure time as well as describing the children's worries and concerns as perceived by their parents. It also considers family life and parental issues in the context of children's growing independence and their developing sexual maturity. Originally written in the 1980's but recently discovered and published now for the first time, this is the fifth book in the series of long-term investigations of child up-bringing, by John and Elizabeth Newson, distinguished child psychologists at the University of Nottingham. Their research began in the late 1950s when the cohort of children was a year old; their mothers were subsequently interviewed at intervals as the children grew up. This fifth volume draws links between the material from interviews with parents when their sons and daughters were seven, eleven, sixteen and nineteen years, and also invites comparison with the lives of children growing up now. The final chapter reviews the book series and the Newsons' research programme. This exceptional book will be of interest to psychologists and other academics interested in child development, as well as professionals involved in work with children and adolescents such as teachers, doctors, nurses and social workers. It also has great historical significance with its potential for comparisons between the lives of children and adolescents now with those growing up some 50 years ago.

This book provides an up-to-date perspective on the inflammatory cells, mediators, and molecular pathology of Chronic obstructive pulmonary disease (COPD), emphasizing the urgent need to clearly understand the underlying cellular and molecular mechanisms involved in COPD.

This book is about the lives of 11-year-old children growing up in a Midlands city in the late '60s and early '70s. Based on interviews with their parents, it describes family life at the time, as well as the experiences, hopes and concerns of the children as they themselves become adolescents. The book reflects upon the changes that occur for children in the transitional period between childhood and adolescence. It looks at the friendship patterns of eleven-year-olds, their special interests and activities and how they spend their leisure time as well as describing the children's worries and concerns as perceived by their parents. It also considers family life and parental issues in the context of children's growing independence and their developing sexual maturity. Originally written in the 1980's but recently discovered and published now for the first time, this is the fifth book in the series of long-term investigations of child up-bringing, by John and Elizabeth Newson, distinguished child psychologists at the University of Nottingham. Their research began in the late 1950s when the cohort of children was a year old; their mothers were subsequently interviewed at intervals as the children grew up. This fifth volume draws links between the material from interviews with parents when their sons and daughters were seven, eleven, sixteen and nineteen years, and also invites comparison with the lives of children growing up now. The final chapter reviews the book series and the Newsons' research programme. This exceptional book will be of interest to psychologists and other academics interested in child development, as well as professionals involved in work with children and adolescents such as teachers, doctors, nurses and social workers. It also has great historical significance with its potential for comparisons between the lives of children and adolescents now with those growing up some 50 years ago.

The Peak District has always been a formidable barrier to transport links across it, particularly railways. The first crude horse-drawn tramways fed canals on its eastern and western flanks, but in 1830 - only five years after the Stockton & Darlington Railway opened - a standard gauge line climbed over the top of the Peak District and down the other side on fearsome inclines to connect canals at Cromford and Whaley Bridge. Sheffield and Manchester were connected in 1845 by the first line across the Pennines through the notorious Woodhead Tunnel, followed by a gradual infilling of lines connecting Peak District towns and villages. Some of them became as famous as the Settle-Carlisle route, such were the engineering difficulties of driving a route through the limestone dales. The line between Dore and Chinley was the last main line in England to be driven across the Pennines in two huge tunnels. At its height the Peak District railway system encompassed a narrow gauge light railway for tourists, cable-hauled inclines to export limestone, seven of the UK's twenty longest railway tunnels, and Britain's first all-electric main line. The birth of British Railways in 1948 and the subsequent Beeching axe were the death knell for many of these unique railways. Today some of the tracks can still be followed on foot, bicycle or horseback thanks to the Peak District National Park and other leisure organisations. The historic tunnels, viaducts and stations on the most famous routes have been restored and reopened as long-distance footpaths and heritage lines - a renaissance to be enjoyed by today's tourists.

In "To Be or Not to Be" (1942) Ernest Lubitsch brought his legendary comic "touch" to the most unpromising situation: life in Nazi-occupied Poland. The film brought light and warmth to wartime calamity, but without trivializing reality.
A group of ham actors have to abandon a theater production set in Nazi Germany as Poland is invaded. Instead they bring their dubious talents to the work of resistance, role-playing and inveigling their way under the noses of the Gestapo led by "Concentration Camp" Erhardt (Sig Ruman). The central roles of Joseph and Marion Tura are taken by Jack Benny and Carole Lombard and their performances are marvels of comic acting.
In this study Peter Barnes considers what it is to make comedy out of tragedy. "To Be or Not to Be" tells us that in the face of the brutality and unimagined ignorance of men in power, one must never lose one's style. If everything is lost, but lost with style, despair can be kept at bay and turned into a small victory. Barnes also shows how the comedy is achieved and in so doing sheds light on the enigmatic "Lubitsch touch."

Etonians aren't exactly noted for their grey matter, but I've always found them perfectly adjusted to society. Jack, a possible paranoid schizophrenic with a Messiah complex, inherits the title of the 14th Earl of Gurney after his father passes away in a bizarre accident. Singularly unsuited to a life in the upper echelons of elite society, Jack finds himself at the centre of a ruthless power struggle as his scheming family strives to uphold their reputation. Bubbling with acerbic wit and feverish energy, Olivier Award-winning and Oscar-nominated-writer Peter Barnes's razor-sharp satire combines a ferocious mix of hilarity and horror whilst mercilessly exposing the foibles of the English nobility. This edition of the play is published to coincide with the first-ever revival of this classic cult comedy at the Trafalgar Studios, London, on 16 January 2015.

Written by world-renowned experts in COPD A refresher for GPs and hospital doctors with practical diagnostic and treatment advice Reviews clinical developments and guidelines, and places them into everyday clinical practice Stresses the importance of early intervention, therapies and patient education Managing COPD is an in-depth guide on the management of patients with COPD concentrating on the impact of COPD on a patient as well as how healthcare professionals can intervene and educate the patient at an early stage and thereby slow the onset of severe symptoms. This book has been designed to increase physician awareness of the pathological processes involved in the aetiology of COPD which underpins effective disease management.

Five outstanding plays from the British theatre of the 1960s. This volume contains major works by five of the most important playwrights ot emerge during the late fifties and early sixties. Bold, challenging and iconoclastic, these plays are landmarks of post-war British theatre. Roots by Arnold Wesker focuses on the homecoming of young Beatie Bryant who returns to her family of Norfolk farm workers with stories of her boyfriend Ronnie. Serjeant Musgrave's Dance by John Arden is set in a mining town in the 19th century, with a group of soldiers returned from a colonial war. But when Musgrave is asked to keep the peace with the colliery workers, he decides to do so in a rather unusual way. Loot by Joe Orton is a brilliant parody of the skeleton-in-the-cupboard crime genre, exploding the very notions of English decency, good citizenry and traditional 'positions'. Edward Bond's Early Morning re-imagines the time of Victoria and Albert caught up in a military coup plotted by Disraeli. Peter Barnes' Ruling Class describes the fall out in an aristocratic family after the 14th Earl commits suicide and leaves his estate to a schizophrenic Franciscan friar who is under the illusion that he is Jesus.

An RSC commission to commemorate the first celebration of Shakespeare's life and works.

A mischievous satire on the foundation of the Shakespeare industry: In 1769, when David Garrick staged the first theatre festival to celebrate the life of Stratford's most famous son, little did he realise the impact it would have on the future livelihood of the small Warwickshire market town. Peter Barnes' ironic and irreverent new comedy dissects the cult of the theatrical personality, with guest appearances from the Bard himself, Ben Jonson, David Garrick, Samuel Johnson, Sir Peter Hall and Peter Barnes.

A selection of plays by "one of the most original and biting comic writers working in Britain" (The Times)

The Spirit of Man is "an ingenious triple-bill exploring Man's need for faith through three short satires based in medieval France, Protectorate England and nineteenth-century Eastern Europe" (Independent); Nobody Here But Us Chickens is a linked trilogy of satires on New Age, corporate and bedroom politics. Red Noses is a political satire about the plague and takes place in 1348. Set in medieval Italy during a crisis in the Church, Sunsets and Glories is "a work of the highest and most thrilling theatrical energy" (Independent on Sunday), whilst Bye Bye Columbus is a "highly entertaining" (Guardian) television play.

"Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)

A selection of plays by "one of the most original and biting comic writers working in Britain" (The Times) The Ruling Class "is a scorching and savage tragedy, yet its jokes are innumerable...they throw wide open the windows of your mind, they enlarge your field of vision and they blow away the accumulated dust of ages" (Sunday Times); Leonardo's Last Supper and Noonday Demons are "two ironic plays of delusion...Peter Barnes' dialogue is rich in surprising verbal twists, intellectual allusions and splendid jokes". The Bewitched is "a feast for intellectuals as well as a rollicking example of folk theatre" (Plays and Players) while Laughter is a vicious satire on comedy itself and Barnes' People are eight monologues written for some of the great stars of the English stage which "let the listener into a whole and private world...their jokes in the face of existence were both burning and bitter." (Daily Telegraph)"Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)

From the foreword: Until his death in 373, Athanasius was the most formidable opponent of Arianism in the Roman Empire. Ultimately, for him, this fight was not a struggle for ecclesial power or even for the rightness of his theological position. It was a battle for the souls of men and women. Athanasius rightly knew that upon one's view of Christ hung one's eternal destiny. As he wrote to the bishops of Egypt in 356: "as therefore the struggle that is now set before us concerns all that we are, either to reject or to keep the faith, let us be zealous and resolve to guard what we have received, bearing in mind the confession that was written down at Nicaea." And by God's grace, his victory in that struggle has been of enormous blessing to the church ever since.

This book, entitled Conversations on Fethullah Gulen and the Hizment Movement: Dreaming for a Better World, is intended to represent an open perspective on the influence of the Hizmet Movement, including Fethullah Gulen in particular, on the theme of "dreaming for a better world," based on a variety of Christian and Muslim world views. This theme is approached from three specific perspectives: education and an emphasis on interfaith and intercultural dialogue, a comparison of various spiritualties, and a consideration of the shared dreams of the two religions. The essays in this volume are adapted from talks presented by eleven authors from Canada and the United States at the Gulen Symposium at Carleton University in October 2009. The panel discussion that followed the individual presentations enhanced the overall theme of "dreaming for a better world." The symposium as a whole represented the positive potential that there is for the organization of forums of sharing that focus on this theme and on the three sub themes.

A haunting and brutally funny story of heroism and human values In the bloody aftermath of the Wars of the Roses, Captain John Mallory leads a band of renegades across a war-torn landscape on a breathtaking quest in search of a dream - a dream of home. Dreaming premiered at the Royal Exchange Theatre in March 1999 before moving to the West End."Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)

This collection of Peter Barnes' plays comprises three duologues and one three-hander dealing with "the absurdly tragic and the tragically absurd". In "Humour Helps" an actres hamfistedly tries to commit suicide, finally achieving her aim with the unwitting aid of a neighbour. "Waiting for a Bus" has a pair of lovers interrupted in bed by the arrival of the husband - or are they actors rehearsing a new comedy "Waiting for a bus" about a pair of lovers disturbed by the husband's arrival? "Acting Exercise" opens with Rowan, an actor delivering a soliloquy in a rehearsal room. From the shadows emerges a distraught husband demanding the actor give him back his wife. In "Last Things" an elderly couple of thespians awake to find themselves dead. They decide to go on to the next world with their famous husband and wife sketch - to the applause of the heavenly host.

A selection of plays by "one of the most original and biting comic writers working in Britain" (The Times)

Clap Hands Here Comes Charlie is a riotous, scabrous comedy concerning a demonic figure, a destroyer and giver of life, who is always trying to jump, with both feet into his left trouser leg. Heaven's Blessings, taken from the grim pages of the Bible is a charming epic comedy of Tobit, his wife, their son and a cantankerous guardian angel, who set out to reclaim an outstanding IOU, overcoming many dangers which test their faith to breaking point. Revolutionary Witness, about the French Revolution, is a series of four monologues televised by the BBC in 1989.

"Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)

Set in medieval Italy during a crisis in the Church, Sunsets and Glories is "a work of the highest and most thrilling theatrical energy" (Independent on Sunday)

Sunsets and Glories is set in the late thirteenth-century Italy where power struggles between Church and State inspire such characters as the spineless Charles 11, paid killer Montefelto and 'madwoman' Maifreda. Into this maelstrom steps Peter de Morrone, the saintly Pope Celestine V, provoking a bitter crisis of faith in the abiding values of violence and corruption. Once again, Peter Barnes' mordant wit takes history and imbues it with a savage humour.

"Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)